TR/ST (DJ Set) x Marie Davidson x Dark Chisme x MØAA in Seattle

Name: TR/ST (DJ Set) x Marie Davidson x Dark Chisme x MØAA
Start: 2026-10-30T20:00:00-07:00
End: 2026-10-30T21:00:00-07:00
Location: Substation Seattle

Know before you go

When: Friday, October 30, 2026, 8 PM to 9 PM (the night before Halloween)
Where: Substation Seattle, 645 NW 45th St, Seattle, WA 98107, United States
Length: About 1 hours
Type: Halloween Dance Party

Details

Start your Halloween weekend off right with darkwave synth-pop devils TR/ST, Marie Davidson, Dark Chisme, and MØAA.

Routine + Substation present:

TR/ST - TR/ST (fka Trust) is the musical alias of producer, singer, and performer Robert Alfons. Born in Winnipeg, Canada but based in Los Angeles for the past decade, he has released a string of celebrated albums fusing swooning synth-pop, confessional darkwave, and anthemic emotion: TRST (2012), Joyland (2014), The Destroyer – Part One (2019), and The Destroyer – Part Two (2019).

Marie Davidson - Marie Davidson has always gone against the grain. The French-Canadian producer’s first four albums established her as a transgressive force in dance music, with her 2014 debut Perte d'identité (Loss of identity) laying the foundations of organic electronics and introspective storytelling that she would continue to build upon. Each release probed her “dualistic” relationship to nightlife while becoming increasingly saturated in its abundance of sounds, from Detroit techno to Italo disco, finally reaching a fever pitch on 2018’s Polaris Music Prize-nominated Working Class Woman. Putting the pitfalls of club culture and her own fractured identity under a withering satirical lens, Working Class Woman doesn’t wrestle with the existential as much as fling it around the dancefloor.

After that, 2020’s Renegade Breakdown broke the mould entirely. With “a will to explore other styles of music,” Davidson formed a band with her husband and longtime collaborator Pierre Guerineau (also her counterpart in the duo Essaie Pas) and producer Asaël Robitaille. A deeply collaborative project, the trio wrote a slate of experimental pop songs inspired by records they would play at living-room afterparties – jazz classics, French chanson, electronica – on which Davidson sang for the first time.